Re: Rock me Semideus: Falco does Filippo Maria

Phaeded wrote:
21 Jul 2020, 18:12

I'm following you Ross - even though I'm an 80s music freak, how can you not know "Der Kommisar"???
I do, I mentioned it in the same post. But "Semideus" rhymes with "Amadeus." I'm glad, Falco's video for "Rock Me Amadeus" is much better than that for "Der Kommissar." And there are far fewer words to parody.
Can you do "Personal Theory" (vs "Personal Jesus") next? ;-)
I DID parody Percy Sledge, "When a man has a theory," here - viewtopic.php?f=13&t=356&p=4426&hilit=sledge#p4426

I'll see what I can do with Depeche Mode.

Me, not so much 80s. I mean, I lived it, but I didn't LIVE it. After graduating high school in 1984 (you have to some kind of accomplishment on paper), I wish I had known the kind of friends that would have taken me straight to Ibiza, to Tony Pike's (1934-2019) hotel -

I might not be here to tell the tale, but I sure would have had a tale to tell.

I only say that because I was too young to have know Studio 54. Then I'd have to wish I were BORN earlier, which is a different category of wishing, and I'm not sure I do wish it.

Re: Rock me Semideus: Falco does Filippo Maria

Ross G. R. Caldwell wrote:
23 Jul 2020, 13:05
How did you play the game?
a few children stand in a circle with the face to the center ... one child with a Klumpsack goes on the outside around the circle, eventually it sings the Klumpsack song and behind one of the kids it drops the Klumpsack .... this child has to capture the outside child, otherwise this gets the place in the circle and the other has to carry the Klumpsack with the same mission

These children call it Plumpsack, I remember Klumpsack ... (it's a game for very young kids)

(you have to view it at youtube)

Re: Rock me Semideus: Falco does Filippo Maria

Huck wrote:
29 Jul 2020, 19:11
Once upon a time in Italy ...

... there was a falconer. Between other falconers. The Falco figure in the Sola-Busca belonged to this other falconers.
There seem to be falcons all over the Coins suit - the five (human headed), seven, eight, page and king cards.

Sola Busca coin suit - falcons.JPG
(86.37 KiB) Not downloaded yet

I've often wondered if the Sola Busca was created in connection with the Venetian acquisition of Cyprus 1489. Oddly, reading something last night struck me - the Mantuan ambassador to Venice
"tried over a long period to use his special acquaintance with Girolamo Cornaro to obtain sacred falcons from Cyprus (letter from 1535, but quality falcons from Cyprus must have already been proverbial). [In D.S. Chambers' "Benedetto Agnello, Mantuan Ambassador in Venice, 1530-56", War, culture, and society in Renaissance Venice : essays in honour of John Hale / edited by David S. Chambers, Cecil H. Clough, and Michael E. Mallett., 1993: 144]

Perhaps falcons, emblematic of Cyprus, were in the coins suit as there had to be a financial/asset-swap settlement when the last Queen was forced off of Cyprus - who was none other than Girolamo's aunt, Catherine Cornaro [aka Corner]:

The last Crusader state became a colony of Venice, and as compensation, Catherine was allowed to retain the title of Queen and was made Lady of Asolo, a county on the Terraferma[15] of the Republic of Venice in the Veneto region, in 1489. Asolo soon gained a reputation as a court of literary and artistic distinction, mainly as a result of it being the fictitious setting for Pietro Bembo's platonic dialogues on love, Gli Asolani. Caterina died in Venice in 1510. (Wiki)

Coincidentally, a medal of Girolamo Cornaro issued in 1540 shows him distributing coins: ... 45021.html
around top circumference: PAVPERTATIS PATAVINAE TVTOR; across bottom: MD XXXX; center right on platform: DEO OPT[imo] FAV[ente]

The falcon is not a surprise when shown with any elite, but this must surely be symbolic of the Cornaro's connection to Cyprus and its "royal falcons":
Giorgio Cornaro with a Falcon [Girolamo's father and Catherine's brother d. 1527 so this is posthumous or another kinsman]
Date: 1537

EDIT: Actually this must be "Giorgio Jr." - Girolamo's brother (and this Omaha museum that holds the painting got Cyprus wrong and put in Crete):

Chiefly remembered as an admiral, landowner, and patron of the arts, Giorgio Cornaro was, with his father, instrumental in importing falcons from Crete for the nobility of Italy, an activity perhaps celebrated by the inclusion of such a bird in this painting, which was commissioned at the time of his coming of age and election to Venice’s Great Council (Maggior Consiglio). Titian’s sympathy for the sitter is apparent in the sensitivity with which he portrays the handsome, convivial, and robust young nobleman. The artist took great care with the rich costume of the sitter, paying particular attention to the falconer’s paraphernalia and emphasizing the splendid bird perched on the elaborate glove as well as showing the ornamental hood and pendant leather jesses with bells attached. When the painting entered the collection, the merits of Titian’s genius were hidden primarily behind a muddy varnish, and it was deemed a tired example of the work of a great artist. However, with recent conservation at the J. Paul Getty Museum, Titian’s colors, his profound use of lights and shades, and his great sensitivity to the character of his sitter are again revealed, and this portrait of Giorgio Cornaro takes its place as one of the finest works of the Italian Renaissance in an American collection. ... -a-falcon/

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