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Re: What's With the Concentration on Florence and Tarot?

Well, I take back what I said yesterday, in one respect. I think I can safely criticize one thing you said, without knowing the ins and outs of your theory, namely, what you said at the end of your last post: Petrarch has nothing to do with what is portrayed in the CY card and the context, IMO, is s...

Re: What's With the Concentration on Florence and Tarot?

Well, yes, mutual misunderstanding, Phaeded. So for the moment I will hold off criticizing and merely ask questions in an effort to understand you. Could you say again what the 7 antitypes or examplars are and which virtue each corresponds to, in your Anghiari deck, which I assume has 14 special car...

Re: What's With the Concentration on Florence and Tarot?

You misunderstood my question, Phaeded. I was asking about your rationale for the celestials, not your rationale for dropping the theologicals. Your theory, as you present it in this thread, is that the virtue cards were first, and they generated seven more. I meant to be asking what the place of th...

Re: Collection "How Petrarca became famous" (till 1450)

Since yesterday, I revised my previous post just a little. An illumination important for showing the alternative portrayal of the Triumph of the Death, with the three Fates, was described (by Trapp) but not shown. Interlibrary Loan sent me a book with the requisite picture, so I inserted it into the...

Re: What's With the Concentration on Florence and Tarot?

The problem with your replacements is why anyone would do such a thing, replacing the obvious with the obscure. Just to be different? That seems to be the rationale for much art today, but I don't see it then. I don't remember your rationale for the celestials, but again, why? There is the same prob...

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